MILLESUONI

MILLESUONI adopts an intersectional approach to explore sound as a space of equality and solidarity among human and more-than-human kinships. It calls for a cultural shift in which sound becomes a generative force capable of embodying presence, relation, and emotion.

Inspired by the writings of Deleuze and Guattari on sound and by the book "Deleuze, Guattari and Electronic Music" (2006), the project unfolds like a refrain, in a continuous process of territorialization and deterritorialization, embracing diversity and fostering new ecologies of listening. In this way, music is reintegrated into the natural and social cycles that connect all forms of life.

Nicola Di Croce
Ventilations 5:01 | Servers 6:19 | Refrigerators 6:25
The project explores listening as a political practice—a means of attunement, resonance, and negotiation with non-humans, materials, and ecosystems.

Ramona Ponzini
É-temen-an-ki (2025) 16:23 | Nimrod 2:39 | É-temen-an-ki 2:18 | 練習 1:24 | Ongaku 10:02
The project investigates the symbolism of sound in non-European, particularly Asian, onomatopoeias, known for their rich morphological and phonosymbolic systems, alongside a reflection on listening and accessibility as aesthetic and political acts.

published by Paint It Black Publishing, 2025

Conceived and curated by Lisa Andreani
Design by Nicolò Pellarin
Texts by Cecilia Bima, Nicola Di Croce, Emanuele Quinz, Ramona Ponzini
In collaboration with the Direzione Generale Creatività Contemporanea and the Italian Cultural Institute in Berlin, on the occasion of the 13th Berlin Biennale.
Mastered and printed in Italy by AFG Record Manufacturing

Gatefold sleeve with double pocket: 20×20 cm booklet, 8 pages, 100 g Arena Rough Natural b/w, saddle-stitched | 12” vinyl record – 140 g black, side A Ramona Ponzini (18 min) and side B Nicola Di Croce (18 min) | 6.5×6.5 cm paper sticker
31,3 x 30,5 cm